Documenting Shifting Landscapes with Kalyanee Mam


Emergence Magazine is an online publication with annual print edition exploring the threads connecting ecology, culture, and spirituality. As we experience the desecration of our lands and waters, the extinguishing of species, and a loss of sacred connection to the Earth, we look to emerging stories. Our podcast features exclusive interviews, narrated essays, stories and more.

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In December last year, Cambodian-American filmmaker Kalyanee Mam’s short film Lost World screened at our Shifting Landscapes exhibition in London. Kalyanee’s films tenderly document the changing cultural and ecological landscapes of her homeland, and in Lost World she shares the story of a community in Koh Sralau whose livelihoods are threatened as the mangrove forests they depend on are ruthlessly mined for sand to build an “eco-park” in Singapore. In this conversation, recorded live at the exhibition, Emergence executive editor Emmanuel Vaughan-Lee speaks with Kalyanee about her years-long process of creating the film, and the intimate relationships she holds with people and land that allow her to tell powerful, and often heartbreaking, stories of changing landscapes from a place of humility and connection.

Read the transcript.

Watch Kalyanee’s short film Lost World and read her companion essay.

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Kalyanee Mam is a Cambodian-American filmmaker whose award-winning work is focused on art and advocacy. Her debut documentary feature, A River Changes Course, won the World Cinema Grand Jury Prize for Documentary at the 2013 Sundance Film Festival and the Golden Gate Award for Best Feature Documentary at the San Francisco International Film Festival. Her other works include the documentary shorts Lost World, Fight for Areng Valley, Between Earth & Sky, and Cries of Our Ancestors. She has also worked as a cinematographer and associate producer on the 2011 Oscar-winning documentary Inside Job. She is currently working on a new feature documentary, The Fire and the Bird’s Nest.

 

Photo by Jeremy Seifert

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